Vikraman has not deviated a bit from his formula films of the past. The story is as old as that of ‘Adam and Eve’. Vikraman has woven the script around a happy and a most respected family in the village, which counters troubles. Eventually the male protagonist overcomes all challenges and rise up in life. It is all well that ends well.At a time when the grammar of filmmaking has touched new heights and technology has overtaken all departments of the industry, Vikraman still firmly believes that the best way to attract womenfolk to theatres is by churning out a cocktail of emotions and sentiments. ‘Mariyadhai’, which has all essential aspects of a melodrama, sadly looks a bit outdated and Vikraman ends up standing in an alien land. It is artificial and clichéd right from the first frame. |
